Electronics workshop by Paul Mirel, Sept 26, Sunday Sept 30 & Oct 7

Workshop 1. Introduction to Electronics with Paul Mirel:

Materials: Arduino board, Batteries, 5V power supply, Light emitting mode, resistor, breadboard, Push button switch; FSR’s are Sensor that allows you to detect physical pressure

What are Electronics?

“Electronics are things that people have made to control the flow of electricity. Using the flow of electricity, our electronic devices do things for us. Our telephones and televisions and automobiles and computers all contain electronics that we human beings have designed to perform specific tasks. We use electronics to communicate, to store information, to allow us to perceive things beyond direct human sensation, and to control household and manufacturing systems.

If you want to make something using electronics, it helps to understand some of how electronics work. Let’s begin by looking at the nature of electricity itself so that we understand the thing we want to control.”

 

In Electronics Current is what we want, and Resistance and Voltage are what we control. A light bulb is a resistor that heats up, hot enough to glow.  Watch the intensity of the current. Add a resistor to reduce the current.

We created a void loop.

See also Introduction to circuits by Paul Mirel

To make an electric circuit, we will need to make electrical connections between wires, and between wires and components.

Making Connections Between Wires

Electronics Workshop: Sunday, September 30th

Materials: Batteries, Meter for reading

We used the Arduino board and set up a basic program.  We set the Variable: “Outpin” It is a place where I can store a number, abox in the mind of the chip on the Arduino. We then used a VOID loop and brought in a delay(200) so the lights started blinking.  We also adjust the speed, in which it is going to talk.

If you are going to make a circuit that you want to use for more than a few minutes, you are going to want to make it robust and reliable. You want the electrons to consistently go where you intend for them to go, and for them not to go where you don’t want them to.

If current doesn’t flow where you want it to, that is an open circuit. This happens when wire connections break.

If current flows where you don’t want it to, that is a short circuit. This happens when insulation fails, allowing metal to metal contact in a place where you don’t want it.

Make your connections strong, and your insulation good, and you will spend more time enjoying your work, and less time tracking down faulty connections.

Using a wire stripper

Bare wires can conduct electricity on contact. Since we are trying to get the electrons to follow a particular path in the circuit, we want contacts only where we choose them to be made. A contact in an unplanned location allows electrons to skip past part of the circuit. We call that a short circuit, or short.”

 

Electronics Workshop: Sunday October 7

An Arduino is a little computer that was designed specifically to be easy to program and easy to use. You will need a full size computer to program the Arduino.

Load the Integrated Development Environment Software

In order to get your computer and your Arduino talking to each other, you will need to run a specific program on your computer called an Integrated Development Environment, or IDE.

You can download the IDE program for free from the Arduino group. Go online, and go to this address: https://www.arduino.cc/en/Main/Software

ARDUINO_V2Craftmanship writing with pen

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Use a transistor to control a larger current or voltage than the Arduino can handle.  Use the Arduino to control the transistor, and the transistor to control the load.

Choose the power supply voltage to match the voltage needed by the external load.

Choose the power supply current capacity to be greater than the current needed by the external load.

Use a PN2222 transistor for loads that take 5V to 30V, for currents up to 0.5A = 500mA.

 

Weaving in Bali

Making a basket for the offer to sit on.

“It is a common misconception that Balinese Hinduism is influenced by a multitude of gods. Balinese Hinduism is strongly influenced by Animism and Naturalism. Most Homes in Bali have a private temple or shrine. Throughout Bali offering are a daily part of life. There are around 20. 000 public temples in Bali.”

Balinese Hindu offerings to the gods

 

She first creates a basket, Holding leaves together with a sateh stick, to stitch leaves together,  cuts off pieces.

Folds inner side back, and sticks it together.

 

https://www.indoneo.com/en/travel/decoding-the-world-of-balinese-hindu-offerings/

 

 

 

Origami Workshop – David Kandel

Sept 19

Origamist David Kandel, Laser cutting, math background, a social worker.

For the artistic aspect, he uses math

  1. Figurative: animals, plants, hats, clothing
  2. Mathematical, computer progress array of figures
    1. Bug wars
      1. dragons
      2. nones, mythical figures
      3. pegasus
      4. rock
      5. life masks

The Bug Wars were origami contests among members of the Origami Detectives which started when one member made a bug, a horned beetle with outspread wings, from a single sheet of paper: this design provoked other members to design more complex origami in the shape of bugs, such as wasps and praying mantises.

Mathematical 3 categories

  1. Modular 1 pc repeats. complex figures – > basic
  2. Tessellations: pattern (grid of 400 triangles), geometric shapes out of 1 sheet. stars
  3. Corrugations: Form Folding

Work with the notion of color, material, plane, space and edges. Use a variety of them. Easy to make mistakes correct them and go on.

Text book: Paul Jackson on Origami, 15 years ago. Patterns and Planes, it give the sequences.

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Folding Techniques for Designers: From Sheet to Form

May 11, 2011

by Paul Jackson
Folded rings to interlocking triangular
Daniel Kwan
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NASA’s solar panel unfolding drones, 2 cm’s
motion in 2 directions on a nanoscale
Foldable anything: Houses, body functions
One step farther is manufacturing molecules you want!
Fold and UnFold
Evolutional Bio designing
Corrugation; 40 folds, strong, holds a book
Original:
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Repeating patterns
Flexible collapsable
Tessellation put all on top of eachother
Series of Parallel lines: all lines intersections at the end, or all in the middle of the page!
Generation Folds
Gen 0  1
Gen 1  2
Gen 2  4
Gen 3  8
Exponential relationship: ecology & economy same exp vary
Non equal sides
Angles vary
Accordeon Fold, paper architecture
Pleads
Use as rectangle If you want a circle

Tomoko Fuse: spirals, coils, installations

Tant crips and Shiny

David Kandell 4434042893, kandel.david@gmail.com

Studio Drift, designing. company designs fabric

Erik D. Demaine artist and he is a professor of Computer Science at the Massachusetts Institute of Technology and a former child prodigy.

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The SocialFabric MICA

wide_med_fabric.jpg“Join FORCE: Upsetting Rape Culture and the African American Quilters of Baltimore for a Monument Quilt workshop, where you will be invited to co-create quilts about the criminalization of black women who are survivors of abuse. In this workshop, Glenda Richardson and Rosalind Robinson will share appliqué techniques and discuss the history of AAQB. Shanti Flagg FORCE will provide a “teach-in” about the criminalization of women of color for self-defense, to help the collaborative group bring more awareness to the critical issue, and talk about the history of the Monument Quilt.”

Weaving in Grasshopper

Sept 12

Annie Albers on Weaving

Algorithmic Weaving essay

  1. Our first step was to create the points to make the first petal. We made them based on the circumference of a circle and added points to them.

 

After we learned how to make a weave pattern by hand on paper we then used Grasshopper to create the digital weave. While I understand paper weave drafts, I had a hard time understanding this process.

Digital weaving in Grasshopper

  • binary
  • boolean logic
  • data management

In class, we did two demos of various parametric design strategies for branching out from a line, radial patterning/organization, and surface division/design. Each demo is an example of coded algorithms transferred to three-dimensional objects through different methods which can then be used for multiple machining options.

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First, we set up the grid with a rectangle grid function. Then through lists and tree statistics, we made the warp. For a plain weave, this is 0, 1 as the warp, and for the weft is -1, 1. We put them in the series of algorithms seen above to make each point alternate between the -1 and 1’s as in a real weaving. Then, they were attached to an interpolate curve to make a the pipe look like yarn!

In trying to make a twill, I realized I still don’t know how to manipulate the warp, but the weft is easily changed by adjusting the -1,-1 panel sequence.

The next day I went to Open Works to recreate this by myself, and I was happy to be successful. I can follow but not yet create things myself from scratch in Grasshopper.

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April Camlin, weaving workshop: The language of Cloth, September 12

Weaving on the loom

The Weave Draft

A system to a system, it is the roadmap to the weave structure.

Twill weave: Threading draft

–          –         –         –

–         –         –        –

–         –         –       –

–         –         –       –

4 harness loom

Treadle

1,1,2 raises

2,2,3 raises

3,3,4 raises

4,4.1 raises

4*4 Twill

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Draw down of a graphic representation of the cloth

gray – warp

white – weft

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Note: 5th treadle you return

 

The Tabby/ plain weave

Warp – through the loom (white)

Weft – shuttle (gray)

Log Cabin,

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Basket weave

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3D elements through color

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Different types of weaves

Overshot

Satin weave

Plain Weave: 1 under, 2 over, 1 under, 2 over set of pattern

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Textile Reinforced Structural Composites for Advanced Applications

Herring Bone weave

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Zig-zag and Herringbone Twill Weave

 

Diamond Twill

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https://textilestudycenter.com/diamond-design/

Raddles

Raddles are used to prevent the warp from tangling when it is wound on the beam.

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Weaving: Warp and the Weft!

The Warp is a set of treads

The Weft is a set of threads that interlace

See: Weave Structures nu Irene Emmery

The Primary Structures of Fabrics

Front Cover
Textile Museum, 1966 – Textile fabrics – 339 pages
The descriptive classification of fabric structures presented here is based on a long and wide-ranging study of representative fabrics from ancient and primitive cultures, and of the methods and terminology employed in analyzing, describing, and classifying them. After a number of years of collecting and attempting to collate available data, the bewildering inconsistencies and incongruities encountered in museum records and labels, and in published descriptions and discussions, led me to undertake a detailed and systematic investigation of the essential characteristics of ancient and primitive fabrics and the problems involved in acquiring, recording, and transmitting information about them. – Foreword.

More »

 

Beginner’s Guide to Weaving | The Weaving Loom

 

 

Weaving: The warp thread is the thread that is strung over the loom vertically, and holds the tension while you weave. This is the backbone of your weave. The weft thread is the thread that you weave between (from left to right) around, and all over the warp threads. It creates your patterns and design in the weave.
Each pass is a weft thick!
Load F – > B or B-> F(reference)
The thread goes through the Heddle
There are eight shafts on the loom together you call the harness. if you have more shafts it becomes more complex.
S8, S7, S6, S5 pattern being established
Weave when plane cloth = even weft to loom, you have to beat down, a cloth is formed. Hold thread in a half upper moon.
Tie it to front and back beam
To create a cloth which is under tension; different solutions per culture, on how to keep the cloth under tension.
Feet down, loom steady, Head rises
Shred: some threads come up and some down, they create the interlacement
The flying shuttle propels across the open shed.
There are also automated looms.
Jacquard loom: China, Select individual work thread to lift, creates the intricate design.

Flying Loom, more complex cloth, faster than ever before

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The Language of Cloth

  1. Work intuitively, mathematical order freeform, improvisation.
  2. Understanding origin, chains, modes of production. OPens eyes to nature and ancestor connection, rituals and ideas.
  3. Colonialism and oppression ways to history books
  4. Textiles are overloaded with coded messages & secret languages.

Robin Canc

 

 

 

 

Artist Heathe Cooke

http://www.heathercook.com/

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Black and White Shadow Weave Draft Graph, Acrylic on plain weave linen weaving, 86 3/8 x 76 1/2 x 5 1/2,” 2016

Screen Shot 2018-11-02 at 9.31.49 AM.pngFlorescent and Blue Shadow Weave Draft Graph, Acrylic on Plain Weave Woven Linen, 72 x 72″, 2015

Annie Albers Notebook: she plays with structures. Draft a segment

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Book: On Weaving: New Expanded Edition by Anni AlbersNicholas Fox Weber (Afterword)Manuel Cirauqui (Contribution by)T`ai Smith (Contribution by)

 

Hands-on Weaving notes: 

Treadle through use a sun sine bow to keep it more equally distributed. Keep space, then rotate cloth

Hit break with the rightest foot and crank it up

When you leave the machine crank it down!

Aprilcamlin.com

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Rhino The weave:

 

 

 

Margaret Wibmer – Sept 5

Visual artist and educator working on the intersection of art and fashion Amsterdam Area, Netherlands

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Willem de Kooning, Arnhem, Dutch Art, Ardesh, University of Arts.

Performance video ad interactive Art, Ambiguity is her focus

Infinity Play: garments, interpretive models, diverse, different ages.

“Margret Wibmer is an Austrian artist based in Amsterdam, The Netherlands. In her photo-based works, interactive installations and extended performances she explores the relations between bodies, objects and spaces and the materiality of movement. Her work is included in public and private collections in Europe, the US and Japan and has been performed and exhibited internationally among others at Palais de Tokyo in Paris, RMIT Design Hub in Melbourne, Oude Kerk in Amsterdam, Ishikawa Nishida Kitaro Museum of Philosophy (JP), Mode Biennale in Arnhem, Galerie Lumen Travo in Amsterdam, KAI 10/Arthena Foundation in Düsseldorf. She has been teaching extensively in art colleges in Europe, US, Asia, and Australia. In 2012 she joined the Dutch Art Institute a.k.a. DAI, a.k.a. DAI ROAMING ACADEMY as an advisor.”

Source: https://dutchartinstitute.eu/page/1292/margret-wibmer

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  • Willem de Kooning Academy 
Rotterdam University of Applied Sciences and
  • ArtEZ Academy of Art & Design Arnhem.
  • Infinity play: garments interpretive, models diverse, different ages
  • Columbus Science Center, Uni of M, Inner harbor

I am intrigued by her work because of the items in her installations, the mannerism she shows and in how she depicts women.

IMG_6871

 

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